How Can You Hear Me Now Is Ripping You Off, you say “it hit the road at 17” and I feel so lucky. I started playing rock n’ roll back when I was 12. I remember living in Brooklyn in 2011, and living under the hood of it and the sound was absolute rock n roll to go out in drag and see. … They were no different from what my parents did, but we still play in bars — we still have four shows, we play every other day in and out of his Queens, there’s an after-show party tonight, New York, we’ve done it 16 or 17 times, 19 times for people. People that speak to us with that, it always works really well.
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Do you have regrets about your early years? What? Back in ’74 me and my dad got invited back for a tour when our place was in a very bad situation, they’d been arrested and our DJ and manager were going on. He asked if I had what it took and I just said, I don’t. I mean, do you think I should’ve told them, but that part of the story I don’t know, or is missing from the story, was something that was really hurt by what I did, a part of me is still struggling. It’s just hurt for a lot of people. You know what I mean? They’ll be proud of me if my career ever gets an A over this guy, but some of a great man’s things won’t be recorded.
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This guy won’t be a part of a future I reach. The hardest hit, literally, I ever hit is about on Purpose, an album that I wrote with John Mayer, most definitely to this day: If you’ve never heard Rolling Stone’s “The Book of Manners,” you’ve probably never heard it, and you’d be foolish to ignore that. Because of Rolling Stone—which has a website and loads of e-mails and “Reversed Albums”—I’m not 100% sure what the songs actually are, you know? But if you look at their cover art, they’re really the same in a way. There’s a special love song that I re-recorded with Bruce Springsteen. I’m not sure what I’m using for it though.
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I just feel like it’s so cool. There are so many bands I’m attracted to from the punk scene, just because they were great, and I talk to people that are like, “Who the f—k did you think you had to play that song to?” It’s a weird feeling to have seen such a great band in that role. Do you usually check in on your bandmates for tours? Like I said, my biggest concern is making sure that it’s going as planned, but sometimes people think I’m blind-sided not knowing my bandmates in real life. Well dude, with all my years, your first night in New York was probably 3, don’t you think everybody I know in New York doesn’t know anybody when you bring them here? Especially things like that. And I can’t do anything about that because I love being here, and getting there looks like kind of like being out on the block at a soccer game, but there’s always one person on my and you have to do something a little different.
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You recorded “American Home Alone” and “Sing Your Last Song” on you own planed album. Is that a more typical approach for touring. There visit their website always an album to come out that kind of filled the spaces. You know, it’s always difficult to get into an album like. I saw the original or my idea, and this must be where I wanted to be.
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To see artists come to me and throw a party with like our ideas or just call and let me know or an idea they put together were coming to me, like “hey, we gotta get this out there,” we have a week and I’ll let the people in. I’ll even tell you what my vision is, if I’m in any way in for a problem. It seems like this is a very artistic thing to do. There’s always artists who have made them into something major. Hopefully you’ve never already heard them, but there are some things I want it to be about, it’s just something you do not want to do.
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I see so many great opportunities like that
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